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Camino Real
Written by	Tennessee Williams
Characters	Kilroy Gutman Casanova Marguerite Gautier The Gypsy Esmeralda (the Gypsy's daughter) Don Quixote Lord Byron Baron de Charlus Lady Mulligan Lord Mulligan
Date premiered	March 17, 1953
Place premiered	National Theatre New York City, USA
Original language	English
Genre	Drama
Setting	The end of Camíno Re-ál and the beginning of Camino Real

Camino Real is a 1953 play by Tennessee Williams. In the introduction to the Penguin edition of the play, Williams directs the reader to use the Anglicized pronunciation 'Cá-mino Réal.' The play takes its title from its setting, alluded to El Camino Real, a dead-end place in a Spanish-speaking town surrounded by desert with sporadic transportation to the outside world. It is described by Williams as 'nothing more nor less than my conception of the time and the world I live in.'^[1]

Kilroy, a young American visitor, fulfills some of the functions of the play's narrator, as does Gutman, (named after Sydney Greenstreet's character from The Maltese Falcon, but bearing more resemblance to Signor Ferrari, Greenstreet's character in Casablanca) manager of the hotel Siete Mares, whose terrace occupies part of the stage. Williams also employs a large cast of characters including many famous literary characters who appear in dream sequences. They include Don Quixote and his partner Sancho, Marguerite 'Camille' Gautier (see The Lady of the Camellias), Casanova, Lord Byron, and Esmeralda (see The Hunchback of Notre Dame), and others.

Taking place in the main plaza, the play goes through a series of confusing and almost logic-defying events, including the revival of the Gypsy's daughter (Esmeralda)'s virginity and then the loss of it again. A main theme that the play deals with is coming to terms with the thought of growing older and possibly becoming irrelevant.

Production history[edit]

Premiere[edit]

Camino Real was originated from a Williams's one-act play, Ten Blocks on the Camino Real.^[2] This series of 10 scenes, or 'blocks', was first staged in a workshop by Elia Kazan at the Actors Studio in 1949,^[2] and later turned into a 1953 Broadway production directed by Kazan with assistance by Anna Sokolow and starring Eli Wallach (as Kilroy), Frank Silvera (as Gutman), Joseph Anthony (as Casanova), Jo Van Fleet (as Marguerite 'Camille' Gautier), Jennie Goldstein (as the Gypsy), Barbara Baxley (as Esmeralda), and David J. Stewart (as the Baron).^[3]

With only 60 performances on Broadway, the play was not a mainstream success.^[4] Brooks Atkinson of The New York Times called it 'a strange and disturbing drama,' which seemed to be 'a dark mirror' of 'Mr. Williams's concept of life — full of black and appalling images.'^[3] Director Elia Kazan later wrote in his memoirs that he had misinterpreted the play by infusing it with excessive naturalism.^[1][4]

London Premiere[edit]

The first London production opened on April 8th, 1957 at the Phoenix Theatre. It starred Denholm Elliott as Kilroy, Diana Wynyard as Marguerite, was directed by Peter Hall and played for two months.^[5]

Revivals[edit]

Camino Real was presented on television in 1966 by NET, a PBS predecessor, as Ten Blocks on the Camino Real. A black-and-white production, it was directed by Jack Landau and starred Martin Sheen, Lotte Lenya, Tom Aldredge, Michael Baseleon, Albert Dekker, and Hurd Hatfield.

In 1968, the Los Angeles Mark Taper Forum revived the play with Earl Holliman as Kilroy^[6].

In January 1970, the play enjoyed its first Broadway revival at the Vivian Beaumont Theater at Lincoln Center, directed by Jules Irving and starring Al Pacino (Kilroy), Victor Buono (Gutman), Patrick McVey (Don Quixote), Jean-Pierre Aumont (Casanova), Jessica Tandy (Camille), Sylvia Syms (the Gypsy), David J. Stewart (the Baron), Susan Tyrrell (Esmeralda), and Clifford David (Lord Byron). In his review for The New York Times, critic Clive Barnes wrote 'there are people who think that Camino Real was Tennessee Williams's best play, and I believe that they are right. It is a play that seems to have been torn out of a human soul, a tale told by an idiot signifying a great deal of suffering and a great deal of gallantry.'^[7]

The UK's Royal Shakespeare Company revived the play at the Swan Theatre in 1996. The production was directed by Steven Pimlott, and starred Leslie Phillips as Gutman, Peter Egan as Casanova and Susannah York as Camille.

In June 1999, Nicholas Martin staged a production at the Williamstown Theater Festival, featuring Ethan Hawke (Kilroy), Jeffrey Jones (Gutman), Richard Easton (Casanova), Blair Brown (Marguerite Gautier), Christian Camargo (Baron de Charlus and Lord Byron), Hope Davis (Esmeralda), Kristine Nielsen (The Gypsy), and John Seidman (Lord Mulligan and Don Quixote). Reviewing the production in the New York Times, Ben Brantley wrote that '.. in his art as in his life, Williams could be grotesquely excessive and sloppy. But whatever he wrote, he tore it straight from his soul, and in this age of irony there is something especially nourishing in such sustained depths of emotion.'^[1]

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In October 1999, Michael Wilson mounted another revival at the Hartford Stage, with a cast including James Colby (Kilroy), Helmar Augustus Cooper (Gutman), Rip Torn (Casanova), Betty Buckley (Marguerite Gautier), Novella Nelson (Gypsy), Lisa Leguillou (Esmeralda), John Feltch (Baron de Charlus, Lord Byron and Don Quixote), Natalie Brown (Lady Mulligan) and Nafe Katter (Lord Mulligan).^[8]

In January 2009, director David Herskovits staged a new production at the Ohio Theater in Manhattan. This short version, which focused on Kilroy as the American boxer (played by Satya Bhabha), was a re-imagination of the original one-act play Ten Blocks on the Camino Real.^[9]

From March 3 to April 8, 2012, the Goodman Theatre in Chicago presented a new version by director Calixto Bieito and playwright Marc Rosich.^[10]

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References[edit]

Illusion Real Play

1. ^ ^abcBrantley, Ben (June 28, 1999). 'Lost Souls, Not So Different From Their Creator'. The New York Times. ISSN0362-4331. Retrieved 2011-06-18.
2. ^ ^abMcGee, Celia (December 28, 2008). 'Back to Tennessee Williams's Surreal Road'. The New York Times. ISSN0362-4331. Retrieved 2011-06-18.
3. ^ ^abAtkinson, Brooks (March 20, 1953). 'Theatre: 'Camino Real''. The New York Times. ISSN0362-4331. Retrieved 2011-02-13.
4. ^ ^abBrantley, Ben (April 20, 2010). 'A Return to the Scene of a Tragedy of Drama'. The New York Times. ISSN0362-4331. Retrieved 2011-06-18.
5. ^Kolin, Philip (1998). Tennessee Williams, a guide to research and performance. ISBN9780313303067.
6. ^Kolin, Philip C. (1998). Tennessee Williams: A Guide to Research and Performance. ISBN9780313303067.
7. ^Barnes, Clive (January 9, 1970). ''Camino Real' After 17 Years'. The New York Times. ISSN0362-4331. Retrieved 2011-02-14.
8. ^Hampton, Wilborn (October 8, 1999). 'Kilroy Was Here, and Just About Everyone Else'. The New York Times. ISSN0362-4331. Retrieved 2011-02-14.
9. ^Hampton, Wilborn (January 23, 2009). 'A Fever Dream From the '50s, Abridged'. The New York Times. ISSN0362-4331. Retrieved 2011-06-18.
10. ^Jones, Chris (March 9, 2012). ''Camino Real' through the eyes of Spanish director Calixto Bieito'. Chicago Tribune. Retrieved April 10, 2012.

External links[edit]

• Camino Real at the Internet Broadway Database

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